The fact that thriller films derive our instinctual patterns of behaviour, such as the rush of adrenaline and other primal emotions may be what makes them so appealing today. The earliest evidence of this would be the ancient tale of "Homers Odyssey", which is considered to be one of the first forms of a "thriller" story.
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| One of the oldest texts of "Odyssey" |
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| "Safety Last" had the first aspects of thriller in film. |
Themes
Thrillers in general have no common themes in terms of specific storyline, however they do all tend to follow a similar pattern with the fact that they are regarded as being fast paced. The narrative is usually centred around a wrongdoing, a mistake or a crime in which the theme is then often based around the character resolving this, which can be through revenge or a different emotion based motive. Thrillers also explore themes of identity, this in particular relates directly to our film based on the fact our character has to recall certain events he does not remember, as well as the fact that the centre of the narrative leads our character to derive away from his identity and act differently because of his motive for money and power.
Storylines and Settings
Usually in thriller films, the storyline is based around a central event, which is often a mystery, a mission or some other type of problem and the film will often emphasize the negative effect this has on the character, therefore the protagonist must try to overcome or conclude this central event which may end positively or negatively, usually coming through the use of a last minute change of plot. Thrillers often present quite a dark, realistic side of film in which tension arises through the characters struggle to overcome the situation. Thrillers also focus on the "Mystery" aspect of the plot and it is a convention for the audience to be able to make predictions. Identity (2003) is an example of a Storyline based around Mystery. (CLICK HERE FOR TRAILER)
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| Identity (2003), Starring John Cusack. |
These story lines can involve the character being "against the clock" which means he/she only has a certain amount of time to resolve the central event, which adds further pressure and intensity which can invigorate the audience. An example of this type of Thriller would be Terminator 2: Judgement Day (1991), Which features an intense battle to prevent a robot killing a future war hero.
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| Terminator 2: Judgement Day (1991) |
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| Gotham (Top) and Turkey (Bottom) |
Suspense
This can be seen as one of the most essential parts of the thriller genre, It is this aspect which leads to the focus on the audiences emotional and physical reaction to the film, The use of mysterious and unpredictable narrative leads to the audience coming up with a list of outcomes as the storyline unravels, this leads to that on edge feeling that develops when watching these films. This is done in order to make the experience memorable and to keep viewers alert until the final climax is reached, in which the audience gains their satisfaction from the movie. This amazing thing about thrillers is that this can be achieved regardless of the viewers prediction of the ending, it is either a serendipity (An unexpected surprise) or they guess the ending right which still gives them the same satisfaction. Hope and fear play a key role within Thrillers as audiences often hope that certain characters get their desired outcome as well as a fear of what may happen if they don't. An example of a film with this type of ending would be Fight Club (1999), which has an unpredictable ending (plot twist).
Finally, Dramatic irony is also used a lot and is intertwined with suspense, for example, the audience may find something out that will be detrimental to one of the characters, but can do nothing about it to warn them. This is a key factor to building suspense in Thrillers.
Changes to Thrillers
Overtime this genre has had to adapt and evolve in order to be able to keep up with the advancements of film moreover to keep the audience continually satisfied at these films. For example the technological progress in film such as the development of special effects and cameras that film with an extremely high quality means that thriller films have become all the more intense compared to older films from the 1950's However this is not to say those older films were not equally as terrifying at the time they were released, it is just that as time has gone on and the quality of these films are better, a higher standard is expected when these films are released. It is easy to see how much has changed when we compare two thriller films, One a classic by Hitchcock and a more modern thriller film:
Vertigo (1958):
Finally, Dramatic irony is also used a lot and is intertwined with suspense, for example, the audience may find something out that will be detrimental to one of the characters, but can do nothing about it to warn them. This is a key factor to building suspense in Thrillers.
Alfred Hitchcock said of dramatic irony:
However, these are merely Conventions, Which means that not all thriller films follow these and we do not have to imply every aspect of these conventions into our own film.“The audience is longing to warn the characters on the screen: 'You shouldn’t be talking about such trivial matters. There’s a bomb beneath you and it’s about to explode!'"
Changes to Thrillers
Overtime this genre has had to adapt and evolve in order to be able to keep up with the advancements of film moreover to keep the audience continually satisfied at these films. For example the technological progress in film such as the development of special effects and cameras that film with an extremely high quality means that thriller films have become all the more intense compared to older films from the 1950's However this is not to say those older films were not equally as terrifying at the time they were released, it is just that as time has gone on and the quality of these films are better, a higher standard is expected when these films are released. It is easy to see how much has changed when we compare two thriller films, One a classic by Hitchcock and a more modern thriller film:
Vertigo (1958):
No Country For Old Men (2007):






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